AnnieEliasson

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	<title>AnnieEliasson</title>
	<link>https://annieeliasson.cargo.site</link>
	<description>AnnieEliasson</description>
	<pubDate>Sat, 31 Jan 2026 12:18:44 +0000</pubDate>
	<generator>https://annieeliasson.cargo.site</generator>
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		<title>homepage</title>
				
		<link>https://annieeliasson.cargo.site/homepage</link>

		<pubDate>Sat, 31 Jan 2026 12:18:44 +0000</pubDate>

		<dc:creator>AnnieEliasson</dc:creator>

		<guid isPermaLink="true">https://annieeliasson.cargo.site/homepage</guid>

		<description>&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;Annie Eliasson&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;Kulturmåleri &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;

&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Konstnärligt 

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		<title>Speaking Bones, Singing Limbs</title>
				
		<link>https://annieeliasson.cargo.site/Speaking-Bones-Singing-Limbs</link>

		<pubDate>Tue, 24 Nov 2020 19:37:13 +0000</pubDate>

		<dc:creator>AnnieEliasson</dc:creator>

		<guid isPermaLink="true">https://annieeliasson.cargo.site/Speaking-Bones-Singing-Limbs</guid>

		<description>
	
	
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;
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~ Speaking Bones,&#38;nbsp; 
Singing Limbs

(2021)
Sound Installation / 20 min Loop
Solo Exhibition at&#38;nbsp;Galleri Konstepidemin in Gothenburg

- sound and robotic engineer&#38;nbsp;

 Johannes Ekdahl Du Rietz


-photos
 Hendrik Zeitler~
though betrayed, love lives and&#38;nbsp; grows with the pain, sleepless anguish are eating away at the limbs of this poor creature until they wither, the skin becomes meagre and dry, and out into the air the bodily fluids vanishes, soon she has but her voice and her bones. bones turning to stone, they said, but her voice she held onto.”


Ovid, Metamorphoses, Book 3
Sprung out of the roman myth of Echo, the work is exploring materiality in voice and the body’s transience in relation to the voice. The sculptures; a frail assemblage of paper, concrete and latex, forms a curious mix of bones, trunks and windinstruments that has the capacity to breath, creak and sing.


The installation consists of sculptures all programmed to have unique patterns of movement and sounds. The work becomes a composition in the room where every sculpture moves or sounds on given times in a loop of 20 minutes. Paperflutes with valves that open and shut while playing tunes, go in and out of the airy sounds of the concrete and paper sculptures with their latexlungs that slowly rises and falls in breathing.&#38;nbsp; The sounds are edited recordings of harmoniums and bone flutes.


/ The fate of Echo is illustrated as different stages of disappearance; metamorphoses. In Ovid’s Metamorphoses Echo’s body fades and decomposes of sorrow as a&#38;nbsp; result of the unrequited love she has for Narcissus and remains in the world only as a voice (an echo). In the work Daphnis and Chloe by Longus Echo is portrayed as the object of the God Pans love. When Echo dismisses his advances, Pan grows furious and in his wrath drives the shepherds of the fields mad and they tear Echos body to pieces and scatter them across the world. But the fragments of Echo’s body refuses to be silent and keeps on singing below the ground as to bear witness of her cruel fate. 
In the essay by Judith Greenberg ,The Echo of Trauma, The Trauma of Echo, her destiny is linked to traumatic narratives; in that these often don’t follow a chronologichal order but rather compulsively returns to the same event and repeats the same phrase over and over. The myth of Echo reflects the need to repeat and sing out even when the body is dissolving and seemingluy dissapears. To speak even though your story is disjointed; as a way of taking one’s voice back, put the fragments of the story together to a narrative and echo that can make you stop and listen, and turn the isolation to dialogue. /

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		<title>The Encroaching Sea</title>
				
		<link>https://annieeliasson.cargo.site/The-Encroaching-Sea</link>

		<pubDate>Tue, 24 Nov 2020 19:37:14 +0000</pubDate>

		<dc:creator>AnnieEliasson</dc:creator>

		<guid isPermaLink="true">https://annieeliasson.cargo.site/The-Encroaching-Sea</guid>

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~ 
The Encroaching Sea
(2019)Shown at Generator Gallery, Dundee, Scotlandmusic by Give Avalanchessoundinstallation and maquettes made of paper and wood


A soundinstallation based on Doggerland; a land bridge that existed between Britain and continental Europe from about 12,000 BC to 6500 BC. Once the ice from the latest glacial period started to melt Doggerland began to sink into the sea, due to the rising sea levels. It was eventually completely under water by around 6500 BC when a mega tsunami called The Storegga slide hit Britain.

 The text piece is a recording of a poem with music contribution from Give Avalances divided into&#38;nbsp; four sections. These brings together fragments of facts and meticulous investigations and combines them with scientific hypothesises and my own thoughts and fabrications and builds
narrative based on how human evolution, civilisations and migrations have been formed by water. 

 The piece is presented as an abstract collage where maquettes made from images and paintings, illustrate the audio as you walk through the space and peer in on these micro worlds. It is an attempt to take these huge events and long spans of time and make them contained and fragile, small enough to fit inside the palm of your hand
&#38;nbsp;
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